Time |
CJ |
SM |
AA |
CD |
SR |
1 July - Thursday |
11:00
|
CJ-INT-1-11 |
SM-MAS-1-11 |
|
|
SR-ADV-1-11 |
| 13:00 |
|
SM-CAD-1-13 |
AA-SAD-1-13 |
CD-TEC-1-13 |
|
| 15:00 |
|
SM-CIN-1-15 |
AA-SPE-1-15 |
CD-SIN-1-15 |
|
| 17:00 |
|
|
|
CD-WT-1-17 |
|
2 July - Friday |
11:00
|
CJ-ADV-2-11 |
|
AA-INT-2-11 |
CD-MAS-2-11 |
|
| 13:00 |
CJ-CAD-2-13 |
SM-SAD-2-13 |
|
|
SR-TEC-2-13 |
| 15:00 |
CJ-SPE-2-15 |
SM-SIN-2-15 |
|
|
SR-CIN-2-15 |
| 17:00 |
|
|
|
|
SR-WT-2-17 |
|
11:00
|
CJ-MAS-3-11 |
SM-INT-3-11 |
|
CD-ADV-3-11 |
|
| 13:00 |
CJ-TEC-3-13 |
|
AA-CAD-3-13 |
|
SR-SAD-3-13 |
| 15:00 |
|
|
AA-CIN-3-15 |
CD-SPE-3-15 |
SR-SIN-3-15 |
| 17:00 |
|
|
AA-WT-3-17 |
|
|
4 July - Sunday |
11:00
|
|
SM-ADV-4-11 |
AA-MAS-4-11 |
|
SR-INT-4-11 |
| 13:00 |
CJ-SAD-4-13 |
|
AA-TEC-4-13 |
CD-CAD-4-13 |
|
| 15:00 |
CJ-SIN-4-15 |
|
|
CD-CIN-4-15 |
SR-SPE-4-15 |
| 17:00 |
|
SM-WT-4-17 |
|
|
|
The masters' codes |
Abbreviation |
Description |
| AA |
Adrian & Alejandra |
| CD |
Celine & Damian |
| CJ |
Chicho & Juana |
| SR |
Sabrina % Ruben |
| SM |
Sebastian & Mariana |
The blocks' codes |
| Block code |
Description |
Level information |
| INT |
Intermediate |
Intermediate or upper |
| ADV |
Advanced |
Advanced or upper |
| MAS |
Master class |
Master |
| SAD |
Saloon dancing |
Advanced or upper |
| SIN |
Saloon dancing |
Intermediate or upper |
| TEC |
Technical studies |
Intermediate or upper |
| SPE |
Special subjects |
Intermediate or upper |
| CAD |
Favourites of masters for |
Advanced or upper |
| CIN |
Favourites of masters for |
Intermediate or upper |
| WT |
Women technique |
All |
The dates' codes |
| Date code |
Description |
| 1 |
July 1 |
| 2 |
July 2 |
| 3 |
July 3 |
| 4 |
July 4 |
How to read a class code;
A class code ( for example, SM-SAD-2-13:00 ) has 4 parts;
The first 2 letters stand for the initials of the MASTERS who give that class. In this example it is SM and indicates to Sebastian and Marina. Please see table above for the explanations of the MASTERS codes.
The next 3 letters in the middle stand for the code of the BLOCK. In this example it is SAD and indicates the Saloon dancing - ADVANCED BLOCK. Each BLOCK consists of 4 classes from different maestros. Please see the table above for the explanations of the BLOCK codes
The next single digit indicates the DATE of the class. In this example it is 2 and means that the class will be in 2 July. Please see the table above for the explanations of the DATE codes.
The last 5 characters indicate the TIME of the class. In this example it is 13:00 and means that the class will be at 13:00 hrs.
Class subjects
| Class code |
Subject |
| SR-ADV-1-11:00 |
Movements with dissociation and changes of dynamics |
| CJ-ADV-2-11:00 |
Ganchos y boles |
| CD-ADV-3-11:00 |
Soltadas and new dynamics in Tango. |
| SM-ADV-4-11:00 |
Open embrace sequences |
| SM-CAD-1-13:00 |
Advanced sequences with Giros |
| CJ-CAD-2-13:00 |
Sacadas for men and women |
| AA-CAD-3-13:00 |
Structure, variations, musicality and compositions of ganchos |
| CD-CAD-4-13:00 |
Combinations in closed and open embrace. |
| SM-CIN-1-15:00 |
Sequences in Giros |
| SR-CIN-2-15:00 |
Boleo technique for man and woman |
| AA-CIN-3-15:00 |
Compositions of circular moves |
| CD-CIN-4-15:00 |
Colgadas and Volcadas. |
| CJ-INT-1-11:00 |
Ganchos |
| AA-INT-2-11:00 |
Compositions of the moves with close embrace |
| SM-INT-3-11:00 |
Milonga different walking types |
| SR-INT-4-11:00 |
Quick variations and slow adagios |
| SM-MAS-1-11:00 |
Tango Mixed Styles (method Arce Montes) |
| CD-MAS-2-11:00 |
Different dynamics & posture in the embrace: closed, open and out of bala |
| CJ-MAS-3-11:00 |
Complex and rhtymic combinations |
| AA-MAS.4-11:00 |
Introduction to choroegraphy & resource of improvisation |
| AA-SAD-1-13:00 |
Out of axis alternatives and movements |
| SM-SAD-2-13:00 |
Milonga steps |
| SR-SAD-3-13:00 |
Pugliese and D´Arienzo, sequences to improve the melody and the rhythm |
| CJ-SAD-4-13:00 |
Rhytmical plays |
| CD-SIN-1-15:00 |
Milonga. |
| SM-SIN-2-15:00 |
Rhythmical sequences for D'arienzo |
| SR-SIN-3-15:00 |
Vals displacements and sequences for the salon |
| CJ-SIN-4-15:00 |
Rhtymical combinations |
| CD-TEC-1-13:00 |
Postures and differences in open and closed embrace. |
| SR-TEC-2-13:00 |
Technique for man and woman + masculine adornments during the turns |
| CJ-TEC-3-13:00 |
Leading, communication and connection structure |
| AA-TEC-4-13:00 |
Structure, variations, musicality and compositions of boleos |
| AA-SPE-1-15:00 |
Walks and change of turns in the dance floor |
| CJ-SPE-2-15:00 |
Entrances for men and women |
| CD-SPE-3-15:00 |
Circularity and dissasociation in open and close embrace. |
| SR-SPE-4-15:00 |
Technique of close embrace to walk elegantly and dense |
| CD-WT-1-17:00 |
Women technique |
| SR-WT-2-17:00 |
Women technique |
| AA-WT-3-17:00 |
Women technique |
| SM-WT-4-17:00 |
Women technique |
